Primate Cinema: Apes as Family features essays by Matthew Fuller and Rob La Frenais and is fully illustrated throughout.
In Primate Cinema: Apes as Family, the artist imagines a primate social drama in a contemporary urban context and shows this to a chimpanzee audience. Her two-screen video installation juxtaposes the drama enacted by humans in the guise of apes (of a young female city ape befriending a group of outsiders) with mesmerising footage of the reactions of its ape audience at Edinburgh Zoo.
Research over 2010-11 took place in different spaces in Los Angeles and Edinburgh, with much filming in the Budongo Trail at Edinburgh Zoo. In the final work, we are never sure whether we are seeing a lab, zoo, wildlife park, rumpus room or post-apocalyptic landscape inhabited by half chimp/half humans. Mayeri’s intriguing and amusing story-and-response structure contains darker undercurrents in its contemplation of the lives of our captive close relatives.
To make Primate Cinema: Apes as Family artist Rachel Mayeri collaborated with comparative psychologist Dr Sarah-Jane Vick, testing different styles and genres of film to gauge chimps’ responses and discussing issues around cognition and communication in research primates.
Primate Cinema: Apes as Family
Edited by Claudia Lastra
Published by Arts Catalyst, 2012
Designed by Mark Carney
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