Holoturian

A new commission by Ariel Guzik for Edinburgh Art Festival 2015. ‘Holoturian’ is an underwater resonance instrument designed by Guzik to communicate with whales and dolphins in the deep seas.

This new work is commissioned and produced by Arts Catalyst with Edinburgh Art Festival 2015.

For the last 10 years, the artist, musician, illustrator and inventor Ariel Guzik has searched for a way to communicate with whales and dolphins. Guzik’s project has encompassed the creation of underwater instruments, expeditions to contact whales and dolphins off the coasts of Baja California, Costa Rica and Scotland, sound recordings, and numerous fantastical drawings of this cetacean civilisation and underwater ships and gardens.

Guzik’s extraordinary vision is to build a manned underwater ship – the Narcisa - with the intention of enabling encounters between humans and cetaceans as inhabitants of parallel civilisations, free from hierarchies or intentions of domination or subordination, and devoid of utilitarian or practical research interests.

Commissioned by Arts Catalyst and Edinburgh Art Festival 2015, his new project brings the artist closer to his goal. For this show, his first exhibition in the UK, Guzik is constructing a beautiful capsule, the Holoturian, designed to send a living plant and a string instrument for a period of time into the depths of the sea. Imagined and re-imagined in extraordinary drawings made by Guzik over the past decade, this ship has instrumentation, which expresses life, space, harmony and brightness as primary messages, and is dedicated to sperm whales and other deep ocean creatures. 

The installation is part of Edinburgh Art Festival's 2015 commissions programme, presenting new work by leading Scottish and international emerging and established contemporary artists, and will be displayed at Edinburgh’s gothic kirk Trinity Apse.

The following events have now passed.
Location: Trinity Apse, Chalmers Close, 42 High St, EH1 1SS

Sat 1 August 2015, 11.30am
Ariel Guzik in conversation with environmental scientist and campaigner, Mark Simmonds OBE, chaired by Art Catalyst Director, Nicola Triscott.

Sat 1 August 2015, 7pm
Field recordings by Nature Expression and Resonance Research Laboratory Soundscape and performance by Ariel Guzik, Alejandro Colinas and Emilio Galvez.
A unique opportunity to hear Mexican artist Ariel Guzik perform live in a specially devised set combining electronic music with field recordings of whales and dolphins.

Soundscape and performance by Ariel Guzik, Alejandro Colinas and Emilio Galvez Field recordings by Nature Expression and Resonance Research Laboratory


'Holoturian’ is commissioned and produced by Arts Catalyst with Edinburgh Art Festival 2015.

Ariel Guzik is supported by Wellcome Trust, British Council, EventScotland, Museums Galleries Edinburgh, Arts Council England and the following Mexican institutions, as part of The Year of Mexico in the UK 2015: the Ministry of Foreign Affairs (SRE) through the Mexican Agency of International Cooperation for Development (AMEXCID), the National Council for Culture and the Arts (CONACULTA), the National Institute of Fine Arts (INBA), and The Anglo Mexican Foundation.

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Ice Blink

Artworks by Simon Faithfull from his journey to Antarctica

Ice Blink is a term referring to a white glare that appears on the underside of low clouds in sub-zero sea conditions, indicating the presence of ice beyond the range of vision, and warning ships to be on guard.

Artist Simon Faithfull was invited to travel to Antarctica with the British Antarctic Survey as part of The Arts Council’s International Fellowships Programme. Departing from RAF Brize Norton in Oxfordshire he travelled on to the Falklands via Ascension Island, where he joined scientists on board the ice-strengthened ship RSS Ernest Shackleton. On its way south to Antarctica, the ship broke its way through expanses of sea-ice, passing icebergs, ice cliffs and uninhabited islands heading for the science-fiction-like Halley Research Station perched on stilts above the empty, white wilderness.

Surrounded by inhospitable conditions outside of the vessel the crew within lived their own set conventions and references that had developed over years of exploration, independent of the changing society in the external world.

Ice Blink was an exhibition of work from this incredible journey; daily drawings made on a palm pilot etched onto glass; a poetic film of a whaling station populated with seals, photographs that defy perceptions of scale; films of the view through the porthole redolent with a Sokurov-like quality of light; experiments with weather balloons; and a performative lecture highlighting the myths of Antarctica and the realities of how the climate change has shifted this archetypal remote location.

Antarctica is a mythical location that has captured the imagination of many, and whose reality defies known perceptions of scale and experience. It is the location where the effects of global warming can be physically experienced and where the remote becomes an identifiable place.

Antarctica is a site tied up with a sense of British identity: a territory far from these shores that conjures legends of great explorers and journeys.

The Antarctica series is an incredible body of work that is filled with a poetics and politics of space, place, and perceptions.

Travelling to Antarctica on RSS Ernest Shackleton from RAF Brize Norton via Ascension Island and the Falklands, Simon Faithfull recorded the displaced and disorienting world he encountered by filming the view out of his cabin porthole and with daily Palm Pilot drawings, transmitted each day to email inboxes around the world. Combined with diary entries and notes, these drawing and films have been incorporated into a series of lectures presented in Edinburgh, Helsinki, Norwich, Berlin and London.

Reproduced in book form, Ice Blink: An Antarctic Essay was published as part of Book Works Opus Projects (Opus 6) by Book Works and The Arts Catalyst and edited by Lisa Le Feuvre.

ISBN 978 1 870699 92

Printed offset in an edition of 1,500 copies, full colour, 128 pages, with a soft cover.

Designed by Practise/James Goggin.

164 x 215mm. 1

Price £14.50

Simon Faithfull

 

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