Dark Places

Specimens and diagrams featuring endangered bird species, presented in a large gallery space.
Beatriz da Costa, Dark Places, A Memorial for the Still Living, 2009
A red information kiosk placed in a gallery space, presenting details on sites of interest around the UK. Behind the kiosk, a large photograph of a dish radio telescope.
Office of Experiments, Dark Places, Overt Research Project, 2009.
A box filled with electronic equipment.
Office of Experiments, Dark Places, The Mike Kenner Archive, 2009.
Photographs of RAF Menwith Hill, North Yorkshire projected in a gallery space.
Steve Rowell, Dark Places, Ultimate High Ground , 2009
Menwith Hill, Yorkshire, for Ultimate High Ground, Steve Rowell, 2009.
Steve Rowell, Dark Places, Ultimate High Ground, Menwith Hill Yorkshire, 2009.
RAF Farlingdales for Ultimate High Ground, Steve Rowell, 2009
Steve Rowell, Dark Places, Ultimate High Ground, RAF Farlingdales, 2009.
A projection of the film "Voodoo Science Park" where large disasters are recreated. In the film, a large fire blazes.
Victoria Halford & Steve Beard, Dark Places, Voodoo Sculpture Park, 2009

Dark Places uncovers sites of secrecy and technology across the UK

New works by Neal White of the Office of Experiments, Steve Rowell, Victoria Halford & Steve Beard, and Beatriz da Costa explore spaces and institutions below the radar of common knowledge. Dark Places examines how artists are evolving strategies for art as a form of knowledge production, challenging accepted patterns in contemporary culture and society.

The Office of Experiments’ (OOE) Overt Research Project sets a background for Dark Places as it maps and records advanced labs and facilities that are unwittingly – or purposefully – concealed from public view. Developed by a team of independent researchers, 'Dark Places - South Edition', will feature an interpretive slideshow as well as field guide to local sites through an information kiosk. Elsewhere in the gallery, OOE celebrates the openness of knowledge through The Mike Kenner Archive. Revealing years of campaigning by one man into the public biochemical warfare experiments conducted by Porton Down (Salisbury), the work explores how 'Dark Places' throw their shadows onto those that question them.

Victoria Halford and Steve Beard's film Voodoo Science Park traces a secret geography of the Health and Safety Laboratory in Derbyshire, where train crashes and industrial accidents are re-created to examine their destructive pathways. Mixing fact and fiction, the film imagines a delayed encounter between poet William Blake and political philosopher Thomas Hobbes. The result is an uncanny meditation on science and popular memory.

Exploring the ‘dark places’ of zoological science, Beatriz da Costa’s A Memorial for the Still Living is a sombre reflection on endangered species of the British Isles. Presenting a selection of rare animal, insect and reptile specimens, including loans from the Natural History and Horniman Museums, da Costa identifies these collections – and the bleak future they imply - as sites of hidden knowledge.

Steve Rowell from the US group the Centre for Land-Use Interpretation (CLUI), in his project Ultimate High Ground, uncovers shared US-UK spaces of military power. Realised as a multi-screen film installation, the work focuses upon RAF Menwith Hill, North Yorkshire, a communications intercept and missile warning site, known for its distinctive raydome structures. Steve has also worked as a key researcher on the OOE Overt Research Project.

Dark Places also featured a filmed interview between Stephen Foster, Director, John Hansard Gallery and the exhibiting artists. A new publication, featuring a project introduction, artist contributions and an essay by Sally O’Reilly, will be available throughout the exhibition.


The Culture of Enthusiasm - Passion & Technology.  Monday 23 November 2009 4-6pm.  A discussion around the love, fascination and nostalgia for technology with Bee Thakore, Professor David Perrett and Neal White chaired by curator Rob la Frenais.

Secret Spies - children's workshop.  Saturday 12 December 2009 11.30am-3.30pm. A free workshop for children to create and document their own endg=angered species  using mixed media and sculpture.

The Cold War Legacy in the South - Secrecy and Technology bus tour. Saturday 23 January 2010 10am-6pm.


Beatriz da Costa was an interdisciplinary artist, based in Los Angeles, who worked at the intersection of art, politics, engineering and the life sciences. Da Costa’s work usually took the form of public participatory interventions, locative media, conceptual tool building and critical writing. In 2010, Beatriz presented “A Memorial for the Still Living” at the Horniman Museum in London, a project commissioned by The Arts Catalyst as part of the Dark Places project. The exhibition showcased British animal and plant species on the edge of extinction, focusing on “still living” species. The ‘dark place’ refers to the storage rooms of the museum and consequential oblivion, sparingly illuminated by memories of the dwindling few who have encountered the specimens over the years. To realize this exhibition, da Costa worked in collaboration with collection curators at the Horniman Museum and the Natural History Museum in London. In the exhibition, taxidermied specimens of endangered animals lay alongside botanical samples of plants under threat. Each specimen was given a “birth date” (the date of classification and inclusion into the corpus of western science) as well as a “death date” (the date of projected extinction).
For over 20 years, Neal White has critically explored art in relation to new ideas, forms and technologies. As part of numerous collaborative endeavours – he has been developing projects, research and artworks, publications, archives, fieldworks, critical excursions as bus tours and exhibitions with academics, architects and activists. His current work explores situated practices and knowledge - drawing together environmental and ecological matters of concern with marine biologists, ecologists, coders, architects and volunteers in Poole Harbour and Brownsea Island, Dorset for Arts Catalyst's Test Sites programme.


Media Coverage

The Guardian, ArtDaily

Exhibition Supported

Arts Council England

The Office of Experiments’ Overt Research Project is supported by UCL Department of Geography and The Media School, Bournemouth University. Led by Neal White with Steve Rowell and Lisa Haskell.

Dark Places is commissioned by The Arts Catalyst and co-curated with the Office of Experiments, John Hansard Gallery and SCAN.