An exhibition, forum and research programme involving UK and Japanese artists in investigating nuclear culture in Japan post-Fukushima. Part of the SIAF Collaborative Programme 2014
Artists are making the nuclear economy increasingly visible by rethinking nuclear materials and architectures, decay rates and risk perception; questioning the 20th Century belief in nuclear modernity. As the international population becomes more aware of their role as participants in nuclear culture, this exhibition aims to create a space for open discussion.
The Actinium exhibition was an international hub for discussion about contemporary nuclear culture. The exhibition took place during the opening weeks of the SIAF 2014, and was the base for film screenings, discussion forum and field trips exploring the relationship between the metropolis and nuclear sites in rural Hokkaido.
Actinium is a radioactive element named after the Greek word ‘aktis’ a beam or ray, but its name reveals how little we know about the behavior of different kinds of alpha, beta and gamma radiation. Today the word actinium conjures ideas of action in response to radioactive materials as they enter the public realm through the nuclear cycle of weapons, energy, pollution and waste. Today artists and geologists explore the human time of the Anthropocene as the nuclear industry tries to reverse-mine radioactive waste back into the ground. The geological time frames for radioactive decay are beyond human comprehension and challenge the limits of knowledge and not-knowing.
OYOYO, 6F Daini Mitani Bldg, South 1 West 6,Chuo Ward, Sapporo, Hokkaido 060-0061 Japan
The Exhibition includes works by artists James Acord (USA), Shuji Akagi (J), Chim↑Pom (J), Crowe & Rawlinson (UK/De), Karen Kramer (USA/UK), Cécile Massart (Belgium), Eva & Franco Mattes (USA), Thomson & Craighead (UK/Scotland). Curated by Ele Carpenter (UK).
The Forum brought together international artists from Japan, Britain and USA with Japanese academics, activists and researchers in the field of nuclear culture. Discussion topics included: political, social, material and philosophical concerns, geologic time, the nuclear cycle, DIY Science, radiation, immateriality and invisibility. Presentations by Ryuta Ushiro (Chim↑Pom), Thomson & Craighead, Takashi Noguchi, Susan Schuppli, and Nicola Triscott and roundtable discussions. The Forum took place on Sunday 27 July 2014.
Field Trip Programme
Field Trips enabled an interdisciplinary group of artists and researchers to visit nuclear sites on Hokkaido. These sites included the Underground Research Center for radioactive waste storage at Horonobe, the Nuclear Power Plant at Tomari, and the East Coast of Japan.
Actinium was curated by Ele Carpenter, Arts Catalyst, produced by S-AIR; and took place during the opening weeks of the Sapporo International Arts Festival (SIAF) in July 2014. The project was organised by NPO S-AIR, Sapporo. Supported by: Daiwa Foundation; Pola Foundation; The Agency for Cultural Affairs, Government of Japan; City of Sapporo; Arts Council England; Goldsmiths College, University of London.