CREAM / Institute for Modern and Contemporary Culture at Westminster University and Arts Catalyst are delighted to host a reunion between two pioneers in experimental and incidental art practices, Julie Martin (Director of Experiments in Art and Technology) and Barbara Steveni (Artist Placement Group / O+I), chaired by Professor Neal White (Westminster University).
Pushing at the limits of radical ideas and art practice since 1966, these two women have helped change the landscape of where and how art has been made. This is a unique opportunity to hear both in dialogue, reflecting on not only the past, but the future for art which has an experimental and incidental focus.
This collaboration between University of Westminster and Arts Catalyst has been developed as part of Arts Catalyst season of events that mark the 50th anniversary of E.A.T. and the project the led to their founding 9 Evenings: Theatre and Engineering, titled 9 Evenings: Theatre and Engineering Revisited 1966/2016.
In addition to this talk, the programme also includes an exhibition reflecting on the work of Experiments in Art and Technology at Arts Catalyst Centre for Art Science & Technology, a talks programme developed in collaboration with Afterall and Side Effects, a major new performance commission by Robert Whitman (co-Founder of E.A.T.).
This 9 Evenings: Theatre and Engeneering Revisited 1966/2016 programme is supported by Arts Council England, Cockayne – Grants for the Arts, The London Community Foundation, PACE, Afterall, Central Saint Martins, UAL, King’s Cross and Goldsmiths, University of London, University of Westminster, London: The Centre for Research and Education in Arts and Media (CREAM) with the Institute for Modern and Contemporary Culture (IMCC) and The Performance Studio.