With Bruce Gilchrist & Jo Joelson (London Fieldworks), Nicola Triscott and Rob La Frenais (The Arts Catalyst), Geetha Narayanan (Srishti), Sarah Neville, Mukund Thattai, N S Harsha, A V Varghese and Vivek Vilasini.
19 Jan - Science & art workshop
20 Jan - Space & the arts workshop
21 & 23 Jan - 'Spacebaby' workshop for Srishti students led by London Fieldworks
23 Jan - Ham radio workshop
A collaboration between Srishti School of Art, Design and Technology and The Arts Catalyst
Nicola Triscott is a cultural producer, curator and writer, specialising in the intersections between art, science, technology and society. She was the founding Artistic Director/CEO of Arts Catalyst, one of the UK’s most distinctive arts organisations, distinguished by ambitious artists’ commissions that engage with science, including notable projects by Tomas Saraceno, Ashok Sukumaran, Aleksandra Mir, Otolith Group and Critical Art Ensemble, and the international dimension of its programme of exhibitions, events, research and publications. Nicola has curated numerous exhibitions and events for Arts Catalyst. She lectures and publishes internationally, including books on art and technology in the Arctic, art and space, and ecological art. She blogs at nicolatriscott.org on the critical inter-relationships between the arts, humanities and our technoscientific society. Nicola left Arts Catalyst in April 2019 to take on the role of CEO at FACT, Liverpool.
London Fieldworks aims to enable creative research and collaboration at the art, science and technology interesection. Typically, their projects deal with issues relating to complex relationships existing between social, natural and technological worlds. London Fieldworks was formed by the artists Bruce Gilchrist and Jo Joelson.
Rob La Frenais is an independent curator and critic who has curated and produced interdisciplinary and visual art projects since 1987 and with The Arts Catalyst since 1997. Before joining The Arts Catalyst, he was a freelance curator and organiser working in a European context in various countries, including being the Chief Executive of the Edge Biennale Trust in London and Madrid and the Artistic Director of the Belluard-Bollwerk International in Switzerland. In 1979 Rob founded the groundbreaking Performance Magazine, which continued as an authoritative cultural voice in Europe until 1992. He has a PhD in curatorial practice across disciplines and is an honorary Doctor of Arts at Dartington College of Arts.